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| Glenn Ligon | |
|---|---|
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The Bronx (en)  , 1960 (run 64/65) | |
| O ya Tiŋgbaŋ | America |
| African Americans (en) | |
| Education | |
| Shikuru shɛli o ni chaŋ | Wesleyan University (en) |
| Tuma | |
| Tuma | Pɛnta-pɛnta, visual artist (en) , draftsperson (en) , conceptual artist (en) , installation artist (en) , printmaker (en) , filmmaker (en) , video artist (en) , foot ŋmara, new media artist (en) ni artist (en) |
| Tuma shee | New York |
| Pin' shɛŋa o ni dee | |
| Nira zaŋti | American Academy of Arts and Sciences (en) |
| Laɣingu | conceptual art (en) Black Atlantic (en) |
| Nuu tuunbaŋsim balibu | intertextuality (en) appropriation (en) installation art (en) conceptual art (en) video art (en) |
Glenn Ligon ( dɔɣi o la yuuni 1960 ni, pronounced Lie-gōne) o nyɛla nucheeni tuun tumda, ŋun tuma nyɛ din tuhiri bɛhi yɔya din jendiri race, language, desire, sexuality, n ti pahi identity.[1] O nyɛla ŋun be New York City, Ligon's , o tuma pam nyɛla lahi jendiri yuma ( 20th century literature) n ti pahi ( speech of 20th century cultural figures ) din gbaagi James Baldwin, Zora Neale Hurston, Gertrude Stein, Jean Genet, nti pahi Richard Pryor. O nyɛla bɛ ni mi so ka o nyɛ ŋun su Post-Blackness.
- ↑ Meyer, Richard. "Glenn Ligon", in George E. Haggerty and Bonnie Zimmerman (eds), Gay Histories and Cultures: An Encyclopedia, Volume 2. New York: Garland Publishing, 2000.