Date | September 4, 1972 |
---|---|
Time | 12:30 a.m. |
Duration | 21⁄2 hours |
Venue | Montreal Museum of Fine Arts |
Location | Montreal, Quebec, Canada |
Coordinates | 45°29′55″N 73°34′48″W / 45.4987°N 73.5801°W |
Also known as | Skylight Caper |
Outcome | $2 million worth of paintings and jewellery stolen, only two pieces of which have been recovered |
Suspects | Three unidentified men |
The 1972 Montreal Museum of Fine Arts robbery, sometimes called the Skylight Caper,[1][2][3][4] took place very early in the morning of September 4. Three armed robbers used a skylight under repair to gain entry to the museum from its roof, tied up the three guards on duty, and left on foot with 18 paintings, including a rare Rembrandt landscape and works by (or attributed to at the time) Jan Brueghel the Elder, Corot, Delacroix, Rubens, and Thomas Gainsborough, as well as some figurines and jewellery.[2][5][a] The Brueghel, (later reattributed), and one of the stolen jewelry pieces, was returned by the thieves as an initiative to start ransom negotiations. None of the other works have been recovered. The robbers have never been arrested or even publicly identified, although there has been at least one informal suspect (now dead).
Collectively, the missing paintings have been valued at US$27.6 million in 2023;[6] although their value may have diminished since the theft as scholars have called the attribution of some of the works into question. Nevertheless, the Rembrandt alone has been valued at $1.75 million; in 2003 The Globe and Mail estimated it to have appreciated in value to $20 million. The thieves appeared to know what works they were looking for. Many had been part of Masterpieces from Montreal, a travelling exhibition that had been to many museums in the U.S. and Canada prior to Expo 67, as well as some other special exhibits put on by the museum in the preceding years. It is not only the largest art theft in Canada[2][5] but the largest theft in Canadian history.[7][8]
Investigation of the crime proved difficult in the early going, since it occurred over the Labour Day holiday weekend, when many of the museum's officials including its director were vacationing far away from Montreal. It was further complicated by continuing news coverage of the Blue Bird Café fire, Montreal's deadliest arson, three days earlier, dominating the headlines; the next day the killings of Israeli athletes by Palestinian terrorists at the Olympics in Munich further dominateed media coverage. A sting operation conceived after the thieves returned the Brueghel (later reattributed) and mailed photos of the other works to the museum seeking a ransom payment went awry; a later attempt to negotiate their return cost the museum CDN$10,000 with no results.
The thieves took advantage of weakened security, resulting from the renovations at the museum, which had left the skylight's alarm disabled. The renovations and the security flaws were themselves a consequence of the museum's tightening finances. During the 1960s many of the museum's supporters among the wealthy Anglophone community in Montreal began to leave for Toronto due to increasing concerns over Quebec separatism.[9] Terrorist acts by the Front de libération du Québec had led to martial law in the Montreal area two years earlier. The Montreal police, Sûreté du Québec, Royal Canadian Mounted Police and Interpol continue to investigate. Theories as to who might be responsible have ranged from the Montreal Mafia to separatists and art students.
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