Christopher Adler | |
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Born | 1972 (age 52–53) Mountain View, California, U.S. |
Origin | Falls Church, Virginia, U.S. |
Genres | Contemporary classical, experimental |
Occupation(s) | Musician, composer, professor |
Instrument(s) | Khaen, piano, organ |
Years active | 1996–present |
Christopher Adler (born 1972) is a musician, composer and music professor at University of San Diego. A virtuoso player of the khaen, a reed instrument native to Laos and Thailand, he has been composing works for the khaen both as a solo instrument and in combination with western instruments since 1996.[1] His works for solo piano include the three-part Bear Woman Dances, commissioned to accompany a dance depicting a Korean creation myth and largely based the Korean musical system nongak.[2] Four of his compositions have been broadcast internationally on WGBH's Art of the States series.[3][4] His composition for sheng, viola and percussion, Music for a Royal Palace, was commissioned by Carnegie Hall for Yo-Yo Ma's Silk Road Project. An homage to Thailand's Bang Pa-In Palace, the work incorporates traditional Thai melody and embellishments. It was performed at Zankel Hall in 2006 and recorded at the Tanglewood Music Center that same year.[5][6] His Serpent of Five Tongues for sheng and guanzi (traditional Chinese instruments) premiered at the 2011 MATA Festival.[7]