Cinema originating from the city of Hong Kong
Cinema of Hong Kong |
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![A bronze statue on a pedestal, with the city skyline in the background. The pedestal is designed in the image of four clapperboards forming a box. The statue is of a woman wrapped in photographic film, looking straight up, with her left hand stretched upwards and holding a glass sphere containing a light.](//upload.wikimedia.org/wikipedia/commons/thumb/3/32/Avenue_of_Stars_Statue_crop.jpg/220px-Avenue_of_Stars_Statue_crop.jpg) |
No. of screens | 282 (2024)[1] |
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• Per capita | 3.1 per 100,000 (2011)[2] |
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Total | 56 (average) |
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Total | 22,500,000 |
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• Per capita | 3.2 (2010)[4] |
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Total | HK$1.2 billion |
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The cinema of Hong Kong (Chinese: 香港電影) is one of the three major threads in the history of Chinese-language cinema, alongside the cinema of China and the cinema of Taiwan. As a former Crown colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora).
For decades,[when?] Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema, and the second largest exporter.[specify] Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now a part of the cultural mainstream, widely available and imitated.
Economically, the film industry together with the value added of cultural and creative industries represents 5 per cent of Hong Kong's economy.[7]