Farrah Karapetian (born 1978) is an American visual artist. She works primarily in cameraless photography,[1] incorporating multiple mediums in her process including sculpture, theatre, drawing, creative nonfiction, and social practice.[2] She is especially known for her work that "marries two traditions in photography — that of the staged picture and of the image made without a camera."[3] Recurrent concerns include the agency of the individual versus that of authority and the role of the body in determining that agency.