Folktronica | |
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Stylistic origins | |
Cultural origins | 1990s–2000s |
Typical instruments | |
Other topics | |
Folktronica[1] is a genre of music comprising various elements of folk music and electronica, often featuring uses of acoustic instruments – especially stringed instruments – and incorporating hip hop, electronic or dance rhythms, although it varies based on influences and choice of sounds.[1][2][verification needed] The Ashgate Research Companion to Popular Musicology describes folktronica as "a catch-all [term] for all manner of artists who have combined mechanical dance beats with elements of acoustic rock or folk like IXIM or Nicola Cruz".[3]
The 1991 album Every Man and Woman is a Star by Ultramarine is credited as a progenitor of the genre; it featured a pastoral sound and incorporated traditional instruments such as violin and harmonica with techno and house elements. In 1994 Swedish Eurodance group Rednex released what could arguably be the most popular song of the genre for the time, "Cotton Eye Joe". The song incorporates classic 90s electronic sounds with Southern American staples from the banjo to the fiddle. [4] In the early 2000s, artists such as Four Tet, Isan, and Gravenhurst were lumped into a folktronica "scene" by the media and press.[5] According to The Sunday Times Culture's Encyclopedia of Modern Music, essential albums of the genre are Four Tet's Pause (2001), Tunng's Mother's Daughter and Other Songs (2005), and Caribou's The Milk of Human Kindness (2005).[6]
Notable folktronica records released in the 21st century include: Avicii's "Wake Me Up",[7] Ellie Goulding's Lights,[8] Sufjan Stevens' The Age of Adz, and Maggie Rogers' Now That the Light Is Fading.[9], Pitbull's song "Timber" feat. Kesha