Mia Westerlund Roosen, Box 2, epoxy resin, 16" x 16" x 47", 2020.
Mia Westerlund Roosen (born 1942) is an American sculptor known for largely abstract, often monumental works that reference the body, eroticism, and primal forms.[1][2][3]
Westerlund Roosen emerged as a sculptor during the male-dominated ascendancy of minimalism, and was one of a handful of women represented by renowned art dealer Leo Castelli in the 1970s and 1980s.[4][5][6][7] Critics such as Saul Ostrow and Lilly Wei characterize her art as postminimalist and feminist-influenced, noting its privileging of organic form, handmade processes and surfaces, and evocative possibilities.[8][5][9] Wei placed Westerlund Roosen among a pioneering group of women that "breached the barricades of Minimalism," individually producing work whose "distinctive, even eccentric forms and wide range of materials served as a rebuttal to the rational geometries, serialization, coolness, and crushing industrial scale" of that movement.[5]
^Ostrow, Saul. "Mia Westerlund Roosen's Studies, 1972–2012: Surface, Structure, and Form in Scale," Mia Westerlund Roosen: Sculptures 1976-2012, New York: Betty Cuningham, 2012. Retrieved March 21, 2022.
^Stich, Sidra. "Bridges and Grays," Mia Westerlund Roosen, Hanover, NH: Dartmouth College, Hopkins Center for the Arts, 2016. Retrieved March 21, 2022.
^John Simon Guggenheim Memorial Foundation. Mia Westerlund Roosen, Fellows. Retrieved March 18, 2022.
^ abAnonymous Was a Woman. "Awards 2017." Retrieved March 18, 2022.