Music of Pakistan

The Music of Pakistan (Urdu: موسیقی پاکستان, romanizedMusiqi-ye Pakistan) is a fusion of Turko-Persian, Arab, North Indian, and contemporary Western influences, creating a distinct musical tradition often referred to as "Pakistani Music."[1] The genre has adapted and evolved over time in response to shifting cultural norms and global influences. It has also been deeply shaped by Pakistan's tumultuous political and geopolitical landscape. The Islamization policies of the 1980s, which sought to align Pakistani culture with conservative ideals of Wahhabism, imposed strict censorship on music and musical expression.[2][3][4] This period of repression was further fueled by the ongoing Soviet occupation of Afghanistan, during which Wahhabism was aggressively promoted with backing from the United States and Saudi Arabia as part of efforts to counter Soviet influence.[5][6][7][8]

British-Pakistani singer Annie Khalid during a live concert in Pakistan.

Although Pakistan as a nation emerged in 1947, the region it occupies has served as a historical crossroads for millennia. The Persian Empire, Turko-Persian dynasties, the Afghan Empire, Arab Caliphates, Indian dynasties, and British colonial rule, each era left defining imprints on the country's musical traditions, leading to classical forms like qawwali and ghazal, as well as vibrant folk music reflecting the country’s ethnic diversity—Punjabis, Pashtuns, Balti, Baloch, Hazaras, Sindhis, Wakhi, Shina and more.

In the late 20th century and beyond, globalization significantly influenced Pakistani music, with elements of Western popular music merging with local traditions to create contemporary genres. Diaspora Pakistanis in the West, such as Nazia Hassan, Zayn Malik (One Direction), Nadia Ali, and Annie Khalid, played a crucial role in introducing modern music to the Pakistani music scene. Their music resonated with younger Pakistani audiences, who saw in their success a representation of their own identity on the global stage, particularly at a time when that identity was under threat during the period of Islamization in Pakistan.

As of 2015, EMI Pakistan is the country's biggest record label, holding the licenses of some 60,000 Pakistani artists and around 70% of the total music of the country,[9] while streaming service Patari has the largest independent digital collection, with some 3,000 artists and 50,000 songs.[10]

  1. ^ "Music and Dances of Pakistan, Musical Instruments of Pakistan". Government of Pakistan, National Heritage Wing website. Ministry of Information, Broadcasting & National Heritage. Archived from the original on 14 April 2015. Retrieved 16 October 2020.
  2. ^ Cite error: The named reference :1222 was invoked but never defined (see the help page).
  3. ^ Paracha, Nadeem F. (9 December 2010). "Popping Zia". DAWN.COM. Retrieved 19 November 2024.
  4. ^ "Times of the Signs | Blog | DAWN.COM". 2 April 2013. Archived from the original on 2 April 2013. Retrieved 19 November 2024.
  5. ^ Dillon, Michael R. "Wahhabism: Is it a Factor in the Spread of Global Terrorism". Naval Postgraduate School Monterey Ca.
  6. ^ Commins, David (20 February 2006). The Wahhabi Mission and Saudi Arabia. I. B. Tauris. pp. 191–192. ISBN 978-1845110802.
  7. ^ Pakistan - Music Under Siege, 101 East, Steve Chao, Abdul Aziz Ghazi, 22 October 2015, retrieved 19 November 2024{{citation}}: CS1 maint: others (link)
  8. ^ Mansoor, Halima (3 March 2014). "Music and militancy: The decade of silence". The Express Tribune. Retrieved 19 November 2024.
  9. ^ Mahmood, Rafay (12 June 2015). "Patari takes a hit as country's biggest record label threatens legal action". The Express Tribune. Archived from the original on 5 December 2024. [...] EMI Pakistan holds licences to around 60,000 Pakistani artists and almost 70% of the total music of the country.
  10. ^ "Patari's profile". Archived from the original on 5 December 2024.

From Wikipedia, the free encyclopedia · View on Wikipedia

Developed by Nelliwinne