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| Nightclubbing | ||||
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| Studio album by | ||||
| Released | 11 May 1981 | |||
| Recorded | 1980–1981 | |||
| Studio | Compass Point, the Bahamas | |||
| Genre | ||||
| Length | 38:40 | |||
| Label | Island | |||
| Producer | ||||
| Grace Jones chronology | ||||
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| Singles from Nightclubbing | ||||
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Nightclubbing is the fifth studio album by Jamaican singer Grace Jones, released on 11 May 1981 by Island Records. Recorded at Compass Point Studios with producers Alex Sadkin and Island Records' president Chris Blackwell, as well as a team of session musicians rooted by rhythm section Sly and Robbie, the album marked her second foray into a new wave style that blends a variety of genres, including reggae, R&B, dub and funk. The album has cover versions of songs by Bill Withers, Iggy Pop, Astor Piazzolla, and others, and original songs, three of which were co-written by Jones.
The album received positive reviews upon its release, including being voted best album of the year by writers of the UK music magazine NME, and has continued to be praised by critics over time, with some reviewers commending the singer's unique sound and organic fusion of genres. The album entered in the top 10 in five countries, and became Jones' highest-ranking record on the US Billboard 200 and R&B charts. Six singles were released from the album, including the hits "Pull Up to the Bumper" and "I've Seen That Face Before (Libertango)".
Critics and scholars have noted the album's influence on popular music, citing its unique sound that has been emulated by both pop and alternative acts, and how the persona Jones adopted – deeply inspired by art and fashion – has had an enduring influence on modern female pop singers. Around the time of the album's release, she adopted her characteristic androgynous look which would become popular in fashion. Nightclubbing is now widely considered Jones' magnum opus[5] and the record that cemented her pop icon status.
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