Period (music)

Period (two five-bar phrases) in Haydn's Feldpartita. Play The second phrase is built of parallel (similar) melodic material, distinguished by an authentic cadence answering the half cadence at the end of the first phrase.[1]
Period (two four-bar phrases) in Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement. Play Second phrase built from new material, "gives the effect of greater freedom of melodic thought."[2]

In music theory, the term period refers to forms of repetition and contrast between adjacent small-scale formal structures such as phrases. In twentieth-century music scholarship, the term is usually used similarly to the definition in the Oxford Companion to Music: "a period consists of two phrases, antecedent and consequent, each of which begins with the same basic motif."[3] Earlier and later usages vary somewhat, but usually refer to notions of symmetry, difference, and an open section followed by a closure. The concept of a musical period originates in comparisons between music structure and rhetoric at least as early as the 16th century.[4]

  1. ^ White, John D. (1976). The Analysis of Music, p. 44. ISBN 0-13-033233-X.
  2. ^ White (1976), p. 45.
  3. ^ Whittall, Arnold. "period." The Oxford Companion to Music (1938–2011). Oxford Music Online. Oxford University Press. Accessed August 4, 2015.
  4. ^ Ratner, Leonard G. "Period." Grove Music Online. Oxford Music Online. Oxford University Press. Accessed April 22, 2015.

From Wikipedia, the free encyclopedia · View on Wikipedia

Developed by Nelliwinne