Peter Watkins | |
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Born | Norbiton, Surrey, England | 29 October 1935
Alma mater | Royal Academy of Dramatic Art |
Occupations |
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Years active | 1956–present |
Website | pwatkins |
Peter Watkins (born 29 October 1935) is an English filmmaker, documentarian, writer, and film theorist. He is known as a pioneer of the docudrama and the mockumentary genres, typically with heavy political content. His films present pacifist and radical ideas in a nontraditional style. He mainly concentrates his works and ideas around the mass media and our relation/participation to a movie or television documentary.[1]
Nearly all of Watkins' films have used a combination of dramatic and documentary elements to dissect historical occurrences or possible near future events. The first of these, Culloden, portrayed the Jacobite uprising of 1745 in a documentary style, as if television reporters were interviewing the participants and accompanying them into battle; a similar device was used in his biographical film Edvard Munch. La Commune reenacts the Paris Commune days using a large cast of French non-actors. The War Game (1966) depicts the aftermath of a hypothetical nuclear attack on London. His other notable works include Edvard Munch, a biographical film of the painter of the same name, and The Journey, a 14-hour essay film about nuclear disarmament.
The British Film Institute writes "in an age when the media stranglehold on both our lives and the means by which we communicate is ever tightening, [Watkins] films remain a vital tool for considering new forms of image-making and a vibrant and engaging force in their own right."[1]