Portal:Theatre

The Theatre Portal

Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

Featured article

Illustrated scene from The Relapse
The Relapse is a Restoration comedy from 1696 by John Vanbrugh, a sequel to Colley Cibber's notorious tear-jerker Love's Last Shift, or, Virtue Rewarded. In Cibber's Love's Last Shift, a free-living Restoration rake is brought to repentance and reform by the ruses of his wife, while in The Relapse, the rake succumbs again to temptation and has a new love affair. His virtuous wife is also subjected to a determined seduction attempt, and resists with difficulty. Vanbrugh planned The Relapse around particular actors at Drury Lane, writing their stage habits, public reputations, and personal relationships into the text. One such actor was Colley Cibber himself, who played the luxuriant fop Lord Foppington in both Love's Last Shift and The Relapse. However, Vanbrugh's artistic plans were threatened by a cut-throat struggle between London's two theatre companies, each of which was "seducing" actors from the other. The Relapse came close to not being produced at all, but the successful performance that was eventually achieved in November 1696 vindicated Vanbrugh's intentions, as well as saving the company from bankruptcy.

In this month

Constantin Stanislavski

Gielgud performing in Much Ado About Nothing
John Gielgud (1904–2000) was an English actor and theatre director who, along with Ralph Richardson and Laurence Olivier, dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he became a star in the West End and on Broadway by the 1930s, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Queen's Theatre, London. Though he made his first film in 1924 and had successes with The Good Companions (1933) and Julius Caesar (1953), he did not begin a regular film career until his sixties. He appeared in more than 60 films between Becket in 1964 (his first Academy Award nomination) and Elizabeth in 1998. As the acid-tongued Hobson in Arthur (1981) he won the Academy Award for Best Supporting Actor. He earned a Golden Globe Award and two BAFTAs, and had the rare distinction of winning an Oscar, an Emmy, a Grammy, and a Tony. He broadcast more than 100 radio and television dramas and made commercial recordings of many plays, including ten of Shakespeare's. He was knighted in 1953 and was president of the Royal Academy of Dramatic Art from 1977 to 1989.

Selected quote

Ralph Richardson
Acting is merely the art of keeping a large number of people from coughing.

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