System for categorizing screenplays and understanding similarities among them
Inspired by the biological classification system of the Linnaean taxonomy, screenwriter Eric R. Williams developed the Screenwriters Taxonomy in 2017 to create a common language of creative collaboration for filmmakers.[1] Williams’ central thesis in The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling is that the term “genre” is used so broadly to describe films that the modern use of the word has become meaningless.[2] The Screenwriter's Taxonomy proposes seven categories for discussing the creative process of telling cinematic stories.[3]
- Type [4]
- Super Genre [4]
- Macrogenres [5]
- Microgenres [6]
- Voice [7]
- Pathway [8]
- Point of View [9]
- ^ Williams, Eric R. (2018). “Episode #3: Movie Genre: It's Not What You Think.” In How to View and Appreciate Great Movies. The Great Courses / Audible.
- ^ Williams, Eric R. “The Need for a Road Map.” In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 3–12. New York, NY: Routledge, 2018.
- ^ Eric., Williams (2017). Screenwriters Taxonomy. Focal Press. ISBN 978-1-351-61066-7. OCLC 1006975143.
- ^ a b Williams, Eric R. “Movie Types and Supergenres.” In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 15–46. New York, NY: Routledge, 2018.
- ^ Williams, Eric R. “Macro Genres and Micro Genres.” In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 47–87. New York, NY: Routledge, 2018.
- ^ Cite error: The named reference
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- ^ Williams, Eric R. “Voice.” In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 101–125. New York, NY: Routledge, 2018.
- ^ Williams, Eric R. “Pathway.” In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 126–142. New York, NY: Routledge, 2018.
- ^ Williams, Eric R. “Point of View.” In The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling, 143–157. New York, NY: Routledge, 2018.