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Siena Cathedral | |
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Metropolitan Cathedral of Saint Mary of the Assumption | |
Duomo di Siena (Italian) | |
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![]() Siena Cathedral | |
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43°19′04″N 11°19′44″E / 43.3177°N 11.3290°E | |
Location | Siena, Tuscany |
Country | Italy |
Denomination | Catholic |
Tradition | Roman Rite |
Website | operaduomo.siena.it |
History | |
Status | Cathedral |
Consecrated | 1215 |
Architecture | |
Architect(s) | |
Architectural type | Church |
Style | Italian Gothic, Romanesque, Classical |
Groundbreaking | 1196 |
Completed | 1348 |
Specifications | |
Length | 89.4 metres (293 ft) |
Height | 77 metres (253 ft) |
Administration | |
Archdiocese | Archdiocese of Siena-Colle di Val d'Elsa-Montalcino |
Clergy | |
Archbishop | Antonio Buoncristiani |
Provost | Roberto Pialli |
Archdeacon | Giovanni Soldani |
Official name | Historic Centre of Siena |
Type | Cultural |
Criteria | i, ii, iv |
Designated | 1995 (19th session) |
Reference no. | 717 |
Region | Europe and North America |
Siena Cathedral (Italian: Duomo di Siena) is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary.
Since the early 13th-century the Siena Cathedral has been an important part of the Sienese identity. One way to see this is the continuous building projects constantly surrounding the cathedral from its earliest days, aiming at reinforcing and expanding this impressive site. Indeed, it was the community of citizens that continually advocated for the cathedral to become one of the largest churches in Europe. [1] For centuries the Cathedral acted as more than just a place of worship - it was the center of the city and a place to express civic pride. [1]
The cathedral was designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The dome was completed in 1264. The lantern atop the dome was added by Gian Lorenzo Bernini. The bell tower has six bells, where the oldest one was cast in 1149. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with the addition of red marble on the façade. Black and white are the symbolic colors of Siena, etiologically linked to black and white horses of the legendary city's founders, Senius and Aschius. The finest Italian artists of that era completed works in the cathedral. These artists were Nicola and Giovanni Pisano, Donatello, Pinturicchio, Lorenzo Ghiberti, and Bernini.
It was the episcopal seat of the Diocese of Siena, and from the 15th century that of the Archdiocese of Siena. It is now the seat of the Archdiocese of Siena-Colle di Val d'Elsa-Montalcino.