The Bodyguard (soundtrack)

The Bodyguard: Original Soundtrack Album
Soundtrack album by Whitney Houston / various artists
Released	November 17, 1992
Recorded	1991–1992 1987 for Joe Cocker's song
Genre	Pop[1] urban pop[2] R&B[3]
Length	57:44
Label	Arista BMG Entertainment
Producer	Whitney Houston David Foster Narada Michael Walden L.A. Reid Babyface Daryl Simmons BeBe Winans Walter Afanasieff Ian Devaney Andy Morris Robert Clivilles David Cole Danny Kortchmar Charlie Midnight Roy Lott
Whitney Houston chronology
I'm Your Baby Tonight (1990) The Bodyguard: Original Soundtrack Album (1992) The Preacher's Wife: Original Soundtrack Album (1996)
Singles from The Bodyguard
"I Will Always Love You" Released: November 2, 1992[4] "Someday (I'm Coming Back)" Released: December 7, 1992 "I'm Every Woman" Released: January 2, 1993 "I Have Nothing" Released: February 20, 1993 "Run to You" Released: June 21, 1993 "Queen of the Night" Released: October 13, 1993 (U.K.)

Professional ratings

Initial reviews (in 1992/1993)
Review scores
Source	Rating
Entertainment Weekly	B[5]
Los Angeles Times	[1]
NME	4/10[6]
New York Times	(favorable)[7]
Orlando Sentinel	[8]
Q	[9]
Select	[10]
USA Today	[11]

Professional ratings

Retrospective reviews (after 1992/1993)
Review scores
Source	Rating
AllMusic	[2]
Rolling Stone	[12]
The Rolling Stone Album Guide	[13]

The Bodyguard: Original Soundtrack Album is the first soundtrack album by American singer Whitney Houston. It was released on November 17, 1992 by Arista Records to promote the film of the same name. It also contains songs by her label mates Lisa Stansfield, Kenny G, The S.O.U.L. S.Y.S.T.E.M. and Curtis Stigers as well as artists such as Aaron Neville and Joe Cocker. The album is credited as a Whitney Houston album despite her performing six of the twelve tracks. The Bodyguard was Houston's first box office film, after turning down offers from film producers such as Robert Townsend, Spike Lee and Robert De Niro in the past. Initially, Houston was reluctant to take on the role and was convinced by co-producer and co-star Kevin Costner to pursue it, to which she agreed. Arista Records president Clive Davis had apprehensions of Houston's role in the film without much music from the script, convincing Costner and the film's distributor Warner Bros Pictures to add songs to the film, in which Houston made a deal for back royalties for its music. Houston agreed to record six tracks, four of which was eventually featured in the film.

Houston began working on the soundtrack in November 1991, and contacted previous producers of her work, including Babyface, Antonio "L.A." Reid, BeBe Winans and Narada Michael Walden, to participate in the album. It also marked the first time Houston worked with renowned producer David Foster, who would produce three of the six Houston tracks, as well as the production duo of Clivillés and Cole, while Houston herself co-produced two of the songs. It marked the first time in Houston's career where Clive Davis didn't handpick the material. After hearing five of the songs, Houston convinced Davis to add additional songs by other artists on the Arista label. Both Houston and Davis were listed as executive producers on the album.^[14]

Upon its release in November 1992, The Bodyguard was praised by music critics for Houston's vocal performance and its production. The album was a global success, topping the charts in 21 countries, including the United States, the United Kingdom, Australia, Canada, New Zealand, Germany, Austria, Belgium, France, Italy and Japan as well as the European album chart. In the United States, the album debuted at number two on the Billboard 200, before climbing to number one in its second week of release, remaining there for 20 non-consecutive weeks, making it the first female album to top the charts for that many weeks and held a nineteen-year chart record for being the album to stay at number one for the most weeks by a female album until Adele's 21 broke the record in 2012. In its sixth week, it sold one million copies within a single week, making Houston the first artist to accomplish this following verification by Nielsen SoundScan. It would continue to sell a million copies per week for several weeks in a row and would eventually be certified Diamond by the Recording Industry Association of America for sales of ten million copies in November 1993, becoming the first female album to sell that many copies in the United States and would be one of three Houston albums to receive that milestone, eventually selling 18 million in the country alone.^[15][16] Overall, the album would sell 45 million copies worldwide, becoming the best-selling soundtrack album of all time, the best-selling album by a woman in music history, and the best-selling album of the decade.^[17][18]

The soundtrack resulted in several awards and accolades for Houston, including seven American Music Awards, a Brit Award, a Juno Award and the Grammy Award for Album of the Year, marking only the second time in Grammy history that an African American woman won the Grammy in that category.^[19] Two of the tracks on the soundtrack, "Run to You" and "I Have Nothing" were each nominated for an Academy Award for Best Original Song, while Houston herself won the MTV Movie Award for Best Song for the soundtrack's leading single and its biggest hit, "I Will Always Love You".

Five of the Houston tracks were released as singles. "I Will Always Love You" became Houston's tenth number one single on the Billboard Hot 100, matching the number for most number one singles by a female artist at the time and eventually topped the charts in 34 countries entirely and went on to sell more than 24 million copies worldwide, becoming the best-selling single by a female artist of all time. "I'm Every Woman" was released as the second single and became another international top ten hit and peaked inside the top five of the Billboard Hot 100, as did its third single, "I Have Nothing". In March 1993, the three aforementioned singles were placed inside the top 11 for two consecutive weeks, marking the first time in the Nielsen SoundScan era that an artist had three singles simultaneously chart at the same time. "Run to You" was the fourth single released from the album and became a modest hit globally, reaching the top 40 in the United States and the top 20 in the United Kingdom. "Queen of the Night" was a European market only release and reached the top 20 in the United Kingdom while a dance remix of the song topped the Billboard dance chart. In Europe, the only non-Houston single to be released was Lisa Stansfield's "Someday (I'm Coming Back)", while in the United States and Canada, the dance group, The S.O.U.L. S.Y.S.T.E.M., released their cover of Bill Withers' "Lovely Day", which was retitled "It's Going to Be a Lovely Day". The Bodyguard received further promotion from the successful Bodyguard World Tour. In 2017, a 25th anniversary re-release, I Wish You Love: More from The Bodyguard, was issued.^[20][21][14]