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Author | Lauren Weisberger |
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Cover artist |
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Language | English |
Genre | Chick lit |
Published | February 6, 2003 (Broadway Books) |
Publication place | US, UK, France |
Media type | Print (Hardback and Paperback) |
Pages | 360 |
ISBN | 0-7679-1476-7 |
OCLC | 55053886 |
The Devil Wears Prada is a 2003 novel by Lauren Weisberger about a young woman who is hired as a personal assistant to a powerful fashion magazine editor, a job that becomes nightmarish as she struggles to keep up with her boss's grueling schedule and demeaning demands. It spent six months on the New York Times bestseller list and became the basis for the 2006 film of the same name, starring Meryl Streep, Anne Hathaway, and Emily Blunt. The novel is considered by many to be an example of the "chick lit" genre.[1][2]
Upon its publication The Devil Wears Prada attracted attention because of its author's background. Before writing the novel, Weisberger had worked as a personal assistant for American Vogue editor Anna Wintour, much like the novel's protagonist works for a powerful fashion magazine editor, who also happens to be British like Wintour. Reviewers considered the book a roman à clef, offering insider perspectives on Wintour and other Vogue staff.[3][4]
A sequel, Revenge Wears Prada: The Devil Returns, was published in 2013, while a third novel, When Life Gives You Lululemons, was published in 2018.[5][6]
Industry observers and booksellers say a glut of pedestrian chick lit has new fans returning to proven, now-classic novels such as Nanny Diaries (2002), Bergdorf Blondes by Plum Sykes (2004) and The Devil Wears Prada.
Heroines' professional identities and workday experiences are certainly important to the texture of chick-lit novels, and sometimes central to their plot: Weisberger's The Devil Wears Prada, for instance, is built around the young heroine's relationship with her fashion-magazine boss ...
Lauren Weisberger, who wrote the hiss-and-tell roman à clef best-seller on which the picture is based, was herself an assistant to Wintour
Clearly, writing a roman à clef can be much more lucrative than working as an assistant at Condé Nast.