Post-disco

Post-disco
Origini stilisticeMuzică experimentală, muzică electronică, Urban music, (și anume soul și funk), Disco, dub
Origini culturaleSf. anilor 1970 – înc. anilor 1980; New York City, Miami, Montréal, Londra
Instrumente tipiceSintetizator, sintetizator de ritm, sequencer, vocal, clape, sampler
PopularitateMare - în anii 1980
Forme derivateDance-pop, Italo-disco, dance-rock, dance-punk, house, freestyle, techno
Subgenuri
Boogie
Alte subiecte
rare groove, electro, garage house, Chicago house, post-punk, Disco Demolition Night

Post-disco (uneori numit muzică de club sau dance)[1] se referă la mișcarea disco caracterizată prin utilizarea intensă a instrumentelor cu clape, apărută în Statele Unite la finele anilor 1970 și terminându-se odată cu apariția mainstream-ului de muzică house la sfârșitul anilor 1980.[2][3]

Post-disco este genul premergător care, prin amplificarea accentului electronic și experimental al muzicii disco,[4][5] a dat naștere stilurilor dance-pop,[1][6] boogie,[5] Italo disco și alternative dance timpuriu.[5]

Muzica techno și cea house își au de asemenea rădăcinile în post-disco.[1][7][8][9][10][11]

  1. ^ a b c Slant Magazine | Music | 100 Greatest Dance Songs. Retrieved on 2-2-2009
  2. ^ "Though it makes sense to classify any form of dance music made since disco as post-disco, each successive movement has had its own characteristics to make it significantly different from the initial post-disco era, whether it's dance-pop or techno or trance." — Allmusic
  3. ^ Reynolds, Simon (2009) Grunge's Long Shadow - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009"
  4. ^ „Walsh, Fintan (June, 2012): Eumir Deodato and the exploration of Post-Disco. The 405 magazine (UK). Arhivat din original la . Accesat în . 
  5. ^ a b c „Explore music…Genre: Post-disco/Dance rock”. Allmusic. Accesat în . 
  6. ^ Smay, David & Cooper, Kim (2001). Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears: "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. ISBN 0-922915-69-5.
  7. ^ Haggerty, George E. (). Gay Histories and Cultures: An Encyclopedia. Taylor & Francis. p. 256. ISBN 0-8153-1880-4. House music is a form of post-disco dance music made popular in the mid-1980s in Chicago clubs…" 
  8. ^ Demers, Joanna (). „Dancing Machines: 'Dance Dance Revolution', Cybernetic Dance, and Musical Taste”. Popular Music. Cambridge Univ Press. 25 (3): 25, 401–414. doi:10.1017/S0261143006001012. "In terms of its song repertoire, DDR is rooted in disco and post-disco forms such as techno and house. But DDR can be read as the ultimate postmodern dance experience because the game displays various forms of dance imagery without stylistic or historical continuity (Harvey 1990, p. 62,…) 
  9. ^ Campbell, Michael (). Popular Music in America. Cengage Learning. p. 352. ISBN 0-495-50530-7. Glossary: techno – post-disco dance music in which most or all of the sounds are electronically generated 
  10. ^ AllMusic - explore music... House: "House music grew out of the post-disco dance club culture of the early '80s." Retrieved on 12-27-2009
  11. ^ St. John, Graham (2004), Rave Culture and Religion, p. 50, ISBN 0-415-31449-6, "[sic] house music. As a post-disco party music, house features a repetitive 4/4 beat and a speed of 120 or more beats per minute..."

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