Dr. Strangelove | |
---|---|
Directed by | Stanley Kubrick |
Screenplay by |
|
Based on | Red Alert by Peter George |
Produced by | Stanley Kubrick |
Starring | |
Cinematography | Gilbert Taylor |
Edited by | Anthony Harvey |
Music by | Laurie Johnson |
Production company | |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 94 minutes[1] |
Countries | |
Language | English |
Budget | $1.8 million[3] |
Box office | $9.4 million (North America)[3] |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (better known as only Dr. Strangelove) is a 1964 British-American black comedy movie directed and produced by Stanley Kubrick, and starring Peter Sellers.
The story concerns an unhinged United States Air Force general, Sterling Hayden as Jack D. Ripper. He orders a first strike nuclear attack on the Soviet Union. It follows the President, his advisers, the Joint Chiefs of Staff, and a Royal Air Force (RAF) officer as they try to recall the bombers to prevent a nuclear apocalypse. It separately follows the crew of one B-52 bomber as they try to deliver their payload.
The key to the film is the acting of Peter Sellers, who played three main roles:
Sellers was due to play Maj. Kong as well but exhaustion made him feign injury to get out of the role. The role of Maj. Kong went to Slim Pickens instead.
During the movie's ending, the world is blown up by a Soviet deterrence weapon, the Cobalt-Thorium G "doomsday machine", whose existence had not been announced. Vera Lynn's recording of "We'll Meet Again" is played as the world meets its end (it was a famous song of World War II).
This is sometimes said to be a movie of the book Peter George's thriller novel Red Alert (1958). But in this book Strangelove's character does not appear. It seems the director Stanley Kubrick had intended to use ideas from the book, but as the movie developed the influence of tragic-comedy and the genius of Peter Sellers changed its direction.
In 1989, the United States Library of Congress chose this movie to be kept in the National Film Registry. This means the movie will be protected from damage that happens to older film that was used to make movies.